I told Dan I wanted to see
Black Swan, an adaptation of Nassim Nicholas Taleb's
The Black Swan: The Impact of the Improbable. My sweet husband was so excited to see how a screenwriter could turn this explanation of universal chaos and our own efforts to seek narrative in a random world into a coherent plot.
He soon discovered my deception.
GOTCHA! IT'S ABOUT DANCING!
So, I rather liked the movie, in the way I liked the last horror movie I saw (something about a Ouija board at Ashley Pina's house in seventh grade). I had no idea that the ballerina movie would be harder to watch than the one where the guy cuts off his own arm.
But Natalie Portman was good! At the end, when she finally dances the part of Odile (scary face paint swan), I felt the difference in her character's form and passion. She flew across the stage with her scary red eyes and rippling gooseflesh and, in the words of Vincent Cassel's egomaniacal ballet director, "let herself go."
"HOW MANY TIMES CAN HE SAY THAT?" Dan bellowed.
(The guy said it a lot).
To this, I replied, "but I want to be perfect!"
(Also a running theme).
In the end, I would recommend the movie, because occasionally screaming into your date's arm as a pretty girl rips off her own skin is fun.
But my favorite dance movie is still - obviously - Center Stage, a delightfully stinky hunk of 90s fromage. Its dedication to realism is such that in the final big number, Katie turned to me (obviously, we saw it in the theater) and whispered, "this... this has to be a dream sequence, right?"